Test your perspective smarts. What's wrong with these pictures? They are from the amusing and eye-opening photoshopdisasters.blogspot.com
JH
Friday, September 25, 2009
Examples of the One-Point Street
Hi, Class.
I found the examples of this assignment I have are all from ILL625, the graduate course "Drawing from the Imagination." So bear in mind that these are the work of graduate students.
The first example won an A, I think, not for being free of error, which it isn't, but for being so well-planned, thorough and logical with the shadows.
So what's where's the error? For starters he put the sun too close to the VP, which made the shadows very long across the faces of the buildings and caused him a couple problems. For a detailed analysis of this one, see my blog for ILL625. It will help you a lot with our current assignment.
The second examples was by a fellow named Chad, the finest artist ever to come through my online sections. There was one subtle thing wrong, and a lot of pluses. The pluses were the addition of four extra vanishing points(!!), atmospheric perspective (the way the farther things are lighter and less contrasty, especially closer to the dusty street, to give an added sense or air and depth). The wrong thing? There should really be soft, faint "puddles" of shadow under big things like the coach and horses, made by the scattered light coming down, not directly from the sun, but from the sky.
If you look closely, you can see that he subtly used some digitally set type on a couple of the signs on the left side of the street. My hat's off...
JH
I found the examples of this assignment I have are all from ILL625, the graduate course "Drawing from the Imagination." So bear in mind that these are the work of graduate students.
The first example won an A, I think, not for being free of error, which it isn't, but for being so well-planned, thorough and logical with the shadows.
So what's where's the error? For starters he put the sun too close to the VP, which made the shadows very long across the faces of the buildings and caused him a couple problems. For a detailed analysis of this one, see my blog for ILL625. It will help you a lot with our current assignment.
The second examples was by a fellow named Chad, the finest artist ever to come through my online sections. There was one subtle thing wrong, and a lot of pluses. The pluses were the addition of four extra vanishing points(!!), atmospheric perspective (the way the farther things are lighter and less contrasty, especially closer to the dusty street, to give an added sense or air and depth). The wrong thing? There should really be soft, faint "puddles" of shadow under big things like the coach and horses, made by the scattered light coming down, not directly from the sun, but from the sky.If you look closely, you can see that he subtly used some digitally set type on a couple of the signs on the left side of the street. My hat's off...
JH
Monday, May 4, 2009
The Batman Boarding Assignment!


Here it is, y'all. Thanks for your patience.
Remember, you're the director on this one. You cut as often, and to the type of shot, that you think fits the moment. It's not too soon to break down the dialog, deciding where in a sentence you'll...
...cut to the next frame.
The sequence you are illustrating starts in the comic book pages. You must illustrate the part of the script that begins "THEN the discussion continues."
JH
Sunday, March 29, 2009
Check your Reflection
Friday, November 7, 2008
Contest

Roughneck's nightmare: Lighting, plus a tornado, near an oil rig, with the comforting presence of Sarah Palin nowhere in sight!
I am utterly convinced that this photo is bogus, a composite.
I am going to give two books, one on perspective for comic-book artists, one by popular artist Barnaby Ward, to the person who can list the most legitimate clues to its fakiosity.
You'll need to click above and study the large version.
Good luck! Please email the answers to me, rather than commenting here.
(CONTEST OVER AND WON! CONGRATULATIONS, ALIYAH!)
JH
Reality Check
Some artist-allied groups say the worries about the Orphan Works bill are unfounded. For now it doesn't seems to be going anywhere, so I'm not gonna worry about it.
JH
JH
Wednesday, May 21, 2008
Time to Act!
Got this recently:
FROM THE ILLUSTRATORS’ PARTNERSHIP
Call to Action
Last Thursday the Senate Judiciary Committee endorsed their Orphan Works Act.
It is now headed for the full Senate.
If you’ve written before, now’s the time to write again.
Urge your senator to oppose this bill.
Because it has been negotiated behind closed doors, introduced on short notice and fast-tracked for imminent passage without open hearings, ask that this bill not be passed until it can be exposed to an open, informed and transparent public debate.
We’ve drafted a special letter for this purpose.
You can deep link to it here:
Contact your Senator in opposition to S.2913 NOW
The House Judiciary Committee is considering H.R. 5889, the companion bill now. Please write them again:
Contact your Congressman in opposition to H.R. 5889 NOW
2 minutes is all it takes to write your senator and representatives and fight for your copyrights. Over 68,000 e-mail messages have been sent so far.
Don't Let Congress Orphan Your Work
Please forward this message to every artist you know.
If you received our mail as a forwarded message, and wish to be added to our mailing list, email us at: ipa@twcny.rr.com
Place 'Add Name' in the subject line, and provide your name and the email address you want used in the message area.
FROM THE ILLUSTRATORS’ PARTNERSHIP
Call to Action
Last Thursday the Senate Judiciary Committee endorsed their Orphan Works Act.
It is now headed for the full Senate.
If you’ve written before, now’s the time to write again.
Urge your senator to oppose this bill.
Because it has been negotiated behind closed doors, introduced on short notice and fast-tracked for imminent passage without open hearings, ask that this bill not be passed until it can be exposed to an open, informed and transparent public debate.
We’ve drafted a special letter for this purpose.
You can deep link to it here:
Contact your Senator in opposition to S.2913 NOW
The House Judiciary Committee is considering H.R. 5889, the companion bill now. Please write them again:
Contact your Congressman in opposition to H.R. 5889 NOW
2 minutes is all it takes to write your senator and representatives and fight for your copyrights. Over 68,000 e-mail messages have been sent so far.
Don't Let Congress Orphan Your Work
Please forward this message to every artist you know.
If you received our mail as a forwarded message, and wish to be added to our mailing list, email us at: ipa@twcny.rr.com
Place 'Add Name' in the subject line, and provide your name and the email address you want used in the message area.
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